Listed Canadian Artist and Printmaker: 1915-1984
Titled: “St. Peter’s Windermere, Numbered 85/100, lower left.
Signed & Dated: "Shelton '78" in pencil,lower right.
Image Size: h. 4 in. by w. 5 in.
Condition Note: This linocut is pristine with original brilliant colours, and no problem issues, and is considered to be one of the highest quality prints from this series.
Framed: Archivally encased, using acid-free, rag content materials throughout.
A Point of Interest: The fine condition linocut offered here is from the first pull of 'St. Peter’s, Windermere' prints that she created in 1978, of which she initially intended them as a series of 100 prints. Margaret notated them using only the number's 1 to 100/100. Due to this print's popularity, Margaret chose to pull a second series of this linocut later in that same year, she notated them by using the number's 101 to 200/200.
This little known fact should help to make clear any discrepancy as to why there were two different numerical series notations: one for the first set of 100 and an additional notation of 200 for the second series for this linocut.
Every individual pulled print from her lino-blocks should be considered a unique work of art. Because of the continual re-inking of the block between pulls, this often resulted in subtle variations from one print to the next. So, it would be rare to ever see two of her prints that possess the exact same colour tone and hues.
Margaret Dorothy Shelton was a prominent Canadian printmaker and watercolorist known for her depictions of the Canadian landscape, particularly the prairies and foothills of Alberta. Born in Bruce, Alberta, Shelton grew up in a rural environment that would later influence much of her artistic work.
Her Early Life and Education: Margaret Shelton's early interest in art led her to study at the Provincial Institute of Technology and Art (now the Alberta University of the Arts) in Calgary, where she trained under prominent Canadian artists such as A.C. Leighton and H.G. Glyde. Her education was further enriched by her studies at the Banff School of Fine Arts, where she honed her skills in printmaking and watercolors.
Artistic Career: Shelton became well-known for her linocuts, woodcuts, and wood engravings. Her printmaking work often depicted rural Alberta's landscapes, flora, and fauna. She had a keen ability to capture the essence of the Canadian West, which resonated with audiences both regionally and nationally. Her style combined simplicity and elegance, often focusing on the subtle beauty of nature.
In addition to printmaking, Margaret was also an accomplished watercolorist. Both her paintings and prints, often featured scenes of the Canadian wilderness, small towns, and farm life. She was deeply influenced by the natural beauty of Alberta, and her work reflects a deep connection to the land.
Recognition and Legacy:
Throughout her career, Shelton exhibited extensively across Canada, and her work was included in numerous group exhibitions. She received significant recognition for her contributions to Canadian art, including being featured in major art galleries and museums.
Margaret Shelton's work continues to be celebrated for its contribution to Canadian printmaking and for its role in documenting the landscape and rural life of 20th century Canada. Her prints are held in collections across Canada, including the National Gallery of Canada and the Glenbow Museum in Calgary.
Margaret passed away in 1984, leaving behind a legacy of work that captures the spirit and awesome beauty of the Canadian landscape. Margaret's valuable prints and watercolors remain a testament to her skill as a talented mid 20th century Canadian artist and printmaker, as does the love she had for the expansive Canadian West.
Print Ref No: 8TAI24MID-S/TIOEX
Updated November 19, 2024 |
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